埃丽卡·丹顿擅长运用柔和的光影和特写镜头来捕捉人物微妙的情绪变化,使画面充满文学性的质感。她在调度上注重对话的自然流动,减少了夸张的舞台剧式表演痕迹,让场景更具生活气息。这种导演风格使得整部剧呈现出一种温暖而略带忧郁的基调,非常适合讲述关于梦想与现实碰撞的故事。
法国真的是悠闲惬意浪漫热情。希望24年能再去一次法国,要在Nice多躺几天!
好沉闷的第二季
"I have a lot of angels in my life, and I try to thank them as often as I can." 这部剧刻画非裔刻画得还不错,但1920s正是中国移民数目开始增加的年代,很遗憾第二季仍然没有华裔角色,也没有华裔演员。
Episode 7 They 've got the paved road and we are always climbing the mountain , just to get to the same place . you speak loudly and I whisper. I've put a piece of myself in each of them (book), invisible but not silent.
叙事超混乱……一看staff果然换导演了,难怪被砍